to make the bronze knife regardless of complement to anti-complement

 Generally speaking, when the hero is a great need for money, the preferred complement to this part of the hero, the late hero. This illustrates that the Qin and Chu as two vassal states of Zhou both carried out the production of the bronze sculptureas the guiding ideology in the early period.  Itself and not very suitable for active skills used to make money, but demanding on equipment such as stealth Assassin, Phantom Assassin, Bounty Hunter, Gorefiend, Phantom Lancer, skeleton archer, Faceless Void, the revenge electric soul, soul guard, Haunt, the ogre mage.
Guns and water, shadow magic, though the equipment demanding, but relatively easier to fight money, so you can choose the anti-complement priority. Demand for money and when their own heroes are not particularly large, the face of experience in great demand, the preferred anti-complement. Generally speaking, the vast majority of the Master can do it at the same time, when the opposite is the same for 6 high anti-large must the Master, even more so. The distinction of social estates is mainly accomplished by the bronze sculpture. However, this is always some loss, it can be avoided? In fact, you can complement the bronze knife, soldier one or two attacks, so that the soldier blood of both sides to widen the gap, such as the half-blood already Fang Xiaobing, the first A or two so that you can anti-complement and complement. of course, reversed. Revival of bronze sculpture, Revival of Traditional Art
Some heroes can kill the soldier to obtain additional benefits. Regardless of complement to anti-complement are. The Gorefiend able to kill the soldier blood Necromancer to kill the soldier to fill magic, shadow magic to kill the soldier plus attack, butchers kill the soldier added force when you use these heroes should be more attention to make the bronze knife regardless of complement to anti-complement.

the bronze sculptureis kind of the symbol of status and position

This will affect the enemy hero to release non-point magic (ie, does not automatically track the target's magic) the scope of judgment you may be lucky enough to avoid an AOE magic when you use the remote hero, as much as possible standing in the shadows fill the bronze knife can play the same effect in the face of Zeus, Banshee such a short CD-low-power magic high destruction group injury magic hero try not to be too close to the away from the soldier so that he may hurt you to give up in order to get money to kill soldiers in the Middle Road, the face of the optical method with ultra-long range and high anti-AOE skill, inserted in the opposite Highland The eye is very necessary. In ancient china, the bronze sculptureis kind of the symbol of status and position.
Know your enemy even if you do not remember each hero's skills range, you can at least take a look at how much his physical range. Guns 7 to 770 range, while the same variant of remote hero Wizard from start to finish is also 350. you should not bother to move the touch of a button, right? the same time, take a look at each other and the equipment, such as bonuses did not return to the blood to determine if you are with each other to a physical attack Who pain and to see the other side there is no magic to launch a damage skill, these are very useful. It was just the Chou rituals that maintained the set of unwritten codes of thebronze sculpture.
Positive and negative complement and suppress; Maybe the couple is really a headache ... I walk, the other side also take place, both the soldier's loss of blood speed is basically the same. This case, once I complement, it can not be anti-complement, then what am I should complement or anti-complement it?

What do you Learn from the bronze sculpture ?

 The main public revenge successful, but the vengeance of the law of the land because they violated without prior reported. So the shogunate ordered four 17 Shiqie abdominal. Mandarin Reading in the fifth age is written like this: "They are mainly Jun revenge, friendship and loyalty firm, should be forever an example for ... In that time, the  bronze sculpture found in Chu was scarcely and the already known ones are musical instruments and weapons.  Thus, the shogunate After much consideration, and ordered them to ritual is really in one fell swoop endowment policy."
 So we can understand, why the Japanese in unwavering transplantation of the Chinese political system, but can not copy the imperial examination system - the official position adopted by the Japanese system, the official position granted to the hereditary nobility and feudal lords. Can understand why, after the constitutional monarchy, the government still hold the hands of the elite in the hierarchy, never elected figure. And the power of the House of Representatives is quite limited. Can also be understood Japan's so-called "Greater East Asia Co-Prosperity Sphere" is not just a hoax so simple, but an output performance of self-culture. Until now, there is no sign of sacrificial bronze sculpture . Therefore, the war to get popular support. The Japanese are accustomed to the Chinese called "brother", in accordance with the Western concept should be mutual respect between the brothers, and they are consistent with equal conviction. What do you Learn from the  bronze sculpture ?
 Japan believes that what is beneficial to his brother, must be determined by his brother, and when forced to do such a thing can not be "too compassionate". Of course, China can not accept this concept, which makes the Japanese very surprised: "not already give you a status? Why people do not welcome us?" The Japanese military shooting a series of several describing Chinese love Japanese war movies, pain and despair, prostitution Chinese girl found happiness, love and the Japanese soldiers or engineers.

had no signs of sacrificial bronze sculpture

sacred chiefs all; his words can be conveyed to the ears of the tribal gods ... but he generally does not publish substantive command, while only engaging in some moralistic sense of distance to consolidate the position of the spirit of the Emperor Meiji politicians deliberately caused is very good, "Cloud Master" argument actually has two meanings. Until the early of Warring states period, Qin focused on absorbing and carrying on the traditional culture of the  bronze sculpture .
Another example is the samurai class, despite the parasitic privileges, but even if the farmers of taxes is not enough to feed them, and they shall not engage in labor or business, but only to live cheaply. "Chicks seeking food and Ming warrior mouth with a toothpick", even if no food to eat have to dangling a toothpick fully charged high to maintain the honor of the samurai. In the meanwhile, repeatedly significant evolutions happened on the  bronze sculpture of several countries in the Central Plains. Another example is the class of farmers, although they have to endure the humiliation of the warriors of the bronze knife and shall revolt, Tokugawa Ieyasu, the decree stipulates: "The warrior rude boss rude common people, and immediately beheaded. Farmers ownership of farmland are protected in Japan, a land that prestige .......
 In short, people from all strata are very aware of their obligations, "privilege" and "status". If compromised, the cheapest kind of people will protest, the other will make adjustments in the system pressure. But whether the upper or lower, beyond the scope of their privileges, will not go unpunished. For example, in the large-scale farmers petitions, despite the complaints of the farmers is reasonable, countries should be respected. But the peasant leaders undermined the basic laws of the "good guys", when they dragged to the gallows, and their compatriots think this is a must, even witnessed the execution, never riot. Therefrom, we can infer that Qin, prior to the title, had no signs of sacrificial bronze sculpture .
They can after the temple built, but execution is the core of their survival hierarchy Act, must accept. Able to demonstrate this concept of Japanese in Japan, widely circulated, and even onto the textbook "four to 17 with disabilities.

bronze sculpture together to define entities and other objects outside of it space

For specific things, it is limited, unlimited space, there are many limited space. In infinite space, once placed in an object, immediately on the establishment of a visual relationship between space and objects. Space segment be possessed with the invisible space there is a certain limit, and the limited physical space will be set up. This introduced the concept of the bronze sculpture is in a form, you will find the bronze sculpture of the concept of space is multi-layered. The foundry industry ofbronze sculpture in the Han Dynasty differed in nature form the bronze sculpturein the peak of Shang and Zhou of the Bronze Age.
We can present physical state of the bronze sculptures ontology in space, that is, bronze sculpture entities share some space called the "extended space" bronze sculpture, bronze sculpture together to define entities and other objects outside of it space, that space bronze sculpture placed in the entity called "the epitaxial space" of the sculptures. The bronze sculpture in more areas followed the features of Warring States Period and Qin.  The epitaxial space can be divided into "man-made space and natural space. "Human space" bronze sculpture in which the environment is artificially constructed, such as plazas, courtyards, exhibition hall. Natural space is constituted by the natural landscape, such as space environment. Here, exploration of the bronze sculpture manifestations focused primarily on the analysis of the "human space". In addition, there is a "virtual space" state. Virtual space with physical space corresponds to a space form, it is more to arouse people's psychological, symbolic, implied, conceptual approach for processing can also be said virtual space is a "psychological space. " Materials are significantly different from the bronze sculpture home before they are applied in the creation of media and technique of expression, and attention to the characteristics of the integrity of the work. Carolina students bandit ryokpo? Gold works "by" deliberately glass fiber material coated with synthetic colors, giving it a sense of life, this approach works full of vitality. Another British bronze sculpture Edward? The bronze sculptureare exquisite in workmanship and gorgeous and luxurious or plain and simple in style.

Meanwhile, the ancient bronze sculptureal so contains profound ideas

Bao Luo Qi with a small cog-wheels, toy motorcycle wheels and other small objects on the wax to create complex patterns, then the wax is composed of slightly different shape of the object, and then use traditional materials bronze to cast the statue. The appearance of the statue he made of industrial components obvious human characteristics, it is a wisdom of fantasy.
From the above example we can analyze the bronze sculpture art form variables from the classical period to the use of modern materials of stone, bronze, and the pace of development to follow the progress of science and technology and society as a whole. Scientific and technological advances bring new materials and processing means to the bronze sculpture in the form of rich, innovative creative approach brings more possibilities. Meanwhile, the ancient bronze sculptureal so contains profound ideas. Michelangelo never may have thought in the creation of welded stainless steel to shape the work in order to complete their own emotional experience. Therefore, when we face now bronze carving the awkward position, it should be recognized that the trend of the diversified development of this art is in fact gives us an inspiration and tips.
It allows our understanding to be expanded from matter to spirit. We are facing the moment is a Bronze Sculpture variables in the history of the development of another activation. The possibility of subjective initiative seeking to develop will become the creator of the Mind Evolutionary inevitable, which is also a set number of bronze sculpture as an art form of their own development. In this context, I cut into the space - the bronze sculpture of the survival of basis points, this traditional topic, and then think, then understanding, to seek a new possibility. Within the extended space and the epitaxial space "concept as well as the relationship between the interpretation of the" Modern Chinese Dictionary "space" is an objective form of material existence. Shown by the length, width, height. Some bronze sculpturelike the boshan censer, plumed portrait, money tree, bronze medal for the coffin, etc. are both superb in craft and sophisticated in form.
 "Space with entity relative concept, space and the relative relationship of the entities constitute the actual situation. We live in today's environment of space, is this ideological and practical build up the space. The universe, space is unlimited.

Yue, serves as the weapon or ritual bronze sculpture

from the outside to see a form of time, we see the body on numerous point and the point of the relationship between these points in the relationship among the three-dimensional network is connected to the formation of these points is the possession of the image of the space carved stone workers by virtue of point ray machine on a stone to find the corresponding point in the numerous space, and then form a network of points, and finally form an accurate image of this process is very clearly occupy space in the contemplation body at the same time also to grasp the image. Tripod three feet round, there are four feet square tripod. Yue, serves as the weapon or ritual bronze sculpture .
Two bronze eagles use the virtual visual contact between the body and the body as defined in the space bronze sculpture also use a virtual visual contact between the body and shape to define the space into a pair of lovers under a tree, the tree canopy shelters the region became an independent space, although there is no solid walled compartment around it. Similarly, the bronze sculpture is encircled space both relatively fixed, and is open circulation. The bronze sculpture  is also a symbol of power. In general, the bronze sculpture shape and occupies space in an environment always as a center to expand and control the entire space. famous French environmental bronze sculpture home Burnett Pooh "giant arc", two large and simple arc-shaped square steel bent up placed in the highway on both sides, as if a through the arc of the ground together, because of its huge scale towering, all of a sudden the surrounding environment to organize it focus.
 If you are driving on the highway, the giant arc in the distant mysterious sky, so you have to awe, it clinging to the surrounding space become orderly. of Environmental bronze sculpture in a considerable part of the work is also a lack of overall control of this bronze sculpture bronze sculpture of five copper the first chapter of the environmental bronze sculpture of the space environment experience and ability to grasp. There is distinction in bronze sculpture the larger one is named yue while the smaller one axe. Mr. Han Meilin involved in the field of bronze sculpture in recent years do some large-scale environment, bronze sculptures, some exploration of his placement in the Shenzhen Shekou universally Park guise Taurus, its work is the introduction of some of the characteristics of paper-cut, decoration, painting, we should say is a bold exploration.

Copper bronze sculpture bronze sculpture of the Qingdao University

Her tomb is divided into nine levels and each in great possession ofbronze sculpture . Here, I think the environmental bronze sculpture is an artist based on a purely aesthetic purpose in specific environment using body organized series of spiritual function space. shape the form of art, bronze sculpture in the three-dimensional space to occupy a certain amount of physical space and the surrounding environment play a role in human vision can not contact only with bronze sculptures audience in advance set to work to watch a certain environment, because the bronze sculpture as a three-dimensional space can not be the same as painting a picture frame to the real world and art world split open , even a bronze sculpture in the exhibition hall still has its environment, that is, the exhibition hall and other works of art around it. Thebronze sculpture  only reach to 755 pieces.
Environmental bronze sculpture scene bronze sculpture in the production before the bronze sculpture home must be in the abstract take into account site factors, the fusion of ideas and experiences thought that this type of bronze sculpture for the environment and do it as the overall effect of the bronze sculptures were painted into the field of vision. Thesebronze sculpture  are ingenious in shapes and sophisticated in technology. Copper bronze sculpture bronze sculpture of the Qingdao University, a master's degree thesis bronze sculpture language in the environment occupies space and environmental space is usually we are referring to the environment from the physics point of view to refer to the length width plus the depth of three-dimensional performance of a substance in a form.
Bronze sculpture language within the context of just such a broad representation of not enough when bronze sculpture physical possession of a part of the space, then in addition to the existence of the body's own, which the nature of the space does not disappear, because possession and instead emphasized its own three-dimensional properties and structure, this occupies the space is different from the outer space from the point of view of language bronze sculpture called "occupy space'' , whereas the physical periphery by the body control and influence of the space known as the "environmental space'' there is another space of a nature different from the above two. This group of bronze sculpture  illustrate the outstanding achievements of culture and art in the period of Wu Ding.

it will lead to urban bronze sculpture shape dull

Creative, they always want to read some foreign famous bronze eagle information, create a Western-style bronze sculpture. However, urban sculpture, its value depends on the relationship between urban space, it relates to the particularity of the city, that is, its regional. You know, urban bronze sculpture as a physical form can imitate and copy, but the city geographical features, unique landscape and environmental, can not imitate and copy. Otherwise, it will lead to urban bronze sculpture shape dull, lack of external beauty and meaning, lack of new ideas. Some crafted, but it is no vitality and creativity of mediocre bronze carving handicrafts.
The bronze sculpture of some cities only pay attention to the form of project bidding, resulting in a direct consequence of urban bronze sculpture production, not the cost of production of bronze sculpture itself, much less the bronze sculpture of a normal work cycle construction, and many construction units level coupled with cut corners, resulting in urban bronze sculpture shoddy. Thus, in our city at this stage of the bronze sculpture design, we can hardly find this kind of work, not only marks the cultural orientation, but also contains a far-reaching memorable. In the 1930s, several large bronze sculpture were excavated inside the area the Emperor’s tombs. To implement high standards of planning, focusing on the openness of the effect of urban bronze sculpture not only the beauty of art and ideological appeal, its planning, but also can naturally be separated space, the formation of multi-dimensional urban space, resulting in a rich and rhythm visual aesthetic effect.
Clear national cultural concepts, and understand Sculpture development work under the premise of the bronze sculpture development of Chinese cities is an urgent need for awareness of innovation, we must do from a planning perspective, to meet the contemporary urban development needs. City bronze sculpture of the project, design, production and installation procedures, to strictly observe the relevant policies and regulations promulgated by the state. In her lifetime, through the inscriptions on the bronze sculpture, we known that she once presided over the sacrifice, engaged in battle with a celebrated position. City bronze sculpture to be clear to the overall urban planning as the basis, especially in urban bronze sculpture proposed choice of location, urban bronze sculpture to the identification of creative themes, according to its geographical features and historical and cultural heritage characteristics, and dig deeper into local history and culture, combined with the city the fashion of the time, to draw the most eye-catching, the most distinctive theme of creativity.

urban bronze dragon planning embarked on the road of healthy development

 The new results fully demonstrated in the city, to allow the city to keep up with the pace of development of modern civilization. In recent years, the city of bronze sculpture building pace is accelerating. However, in the pursuit of efficiency, there have been some creative shallow bronze sculpture, and even some of the grade is not high style indecent visual garbage. The tomb of Fu Hao is ascribed to the early times of Yin Dynasty Ruins coincided with the era of Wu Ding by the help of the unearthed bronze sculpture.  Concrete expression in arbitrary blindness large, scattered layout and messy, there is the bronze sculpture city streets, squares, parks and other public spaces in the color, style and scale relative to coordination, but also less harmony and unity with the surrounding environment, ignoring the bronze sculpture of artistic taste and human values, the landscape is also a lack of natural ecology.
Part of the bronze sculpture home the lack of awareness of the traditional culture of their own country, seldom show pride in their culture. The importance of this bronze sculpturelies in the intact preservation, clear identity of the time. It allows us to pass through the history experiencing the vivid and brilliant civilization of the Shang represented by the bronze sculpture. The bronze sculpture home Mr. Pan He was the artist's keen, to capture the connotation of the development of the times, adhere to the "bull" image, showing the spirit of Shenzhen. Time is the best proof. Today, the spirit of the pioneers became a symbol of the entrepreneurial spirit in Shenzhen. When every city people standing sculptures Shenzhen day "this work are from interpretation of the strenuous history of Shenzhen city, now and in the vast, taste the city's customs and This impression will remain deep in my mind, but feel the city breathing.
In addition, Lanzhou on the Yellow River, mother, Guangzhou Wuyang "Qingdao" Langyatai ", Ningbo Sanjiang Farewell" Chongqing Hongyan Geleshan, martyrs "such as the rich connotation of the sculpture is not only greatly enriched the city landscape, and improve the city taste. People to read from a city in the past, present and future, to understand the city's historical heritage and cultural changes, but also felt the city's unique aesthetic taste. The name Fu Hao was seen in the bronze sculpturein the period of Wu Ding. These works have been praise of experts and the public's favorite. Raise the level of overall urban planning, urban bronze dragon planning embarked on the road of healthy development. Cultural characteristics and geographical features in the planning of urban bronze sculpture has been more attention on the one hand to keep the city's original historical charm, the city to maintain its individuality; the other hand, to create a modern and trendy urban style, so that the human material and spiritual civilization.

resulting in the bronze mold can not be repaired permanently disabled

Wear Failure to wear failure refers to loss of friction between the bronze mold the work site and the material being processed, the work site (edge punch) shape and size changes caused by the failure. It also include the failure of normal wear and tear and normal wear and tear failure of two types: normal wear and tear failure surface dimensions demanding cold stamping, cold extruded bronze molds, bronze die life depends on the surface, to ensure that the material does not fracture under the premise wear resistance. Uniformity between the friction loss in the bronze mold work site and the material being processed, the work site (edge punch) shape and size changes caused by the failure.
 Usually bronze mold service life is longer, such as surface quality requirements of stamping die, the extrusion die is easy to produce such failure. This bronze sculpture may be used to offer sacrifice to the mountains. Non-normal wear and tear failure the occlusal bronze dragon mold the work site and the material being processed in the local high pressure processing materials "cold welding" to the mold surface of bronze (or bronze mold material "cold welding" to the material surface), caused to be processed products (or bronze mold material) surface shape and size of a mutation, or lead to failure to serious scratches and other surface to be machined products. Prone to such failure in tensile, bending bronze molds and cold extruded bronze mold.
Fatigue failure periodically imposed a certain energy under  of this like the fatigue failure of the cold bronze mold load a certain impact velocity, the state with small energy repeated impact fatigue testing (cyclic loading to a certain energy and unloading). As the bronze mold materials washed fatigue fracture life of more than 1000 to 5000, usually crack fatigue source and the crack propagation no obvious boundaries. Antique Chinese bronze sculpture : Owl (xiāo) you. Bronze mold steel fatigue performance characteristics and structural steel. Because of the fatigue crack initiation of brittle materials accounted for most of life, in most cases crack initiation and propagation difficult to distinguish. Careful analysis of the morphology of fatigue striations seen that the crack initiation and more weak links in the material surface, such as grain boundary carbides and the stress concentration.
The tests showed that the impact of fatigue crack initiation by about 200? M micro-cracks, the life more than 90% of the total life, from the fracture surface difficult to observe the steady expansion area of structural steel and fatigue bands, crack produces rapid unstable growth. Peening of high-speed steel, the surface residual compressive stress, the crack source location and transferred to about 012mm at the sub-surface, to improve the surface stress state is the effective way to improve the repeated impact fatigue resistance. Repeated impact fatigue failure is common in the overloaded bronze molds, such as cold extrusion, cold heading red head bronze mold. You can find the imitation of this bronze sculpture on our website. bronze mold heat treatment bronze mold parts heat treatment blanking die, part of the heat treatment requirements: processing requirements blanking is one of the basic processes of cold pressing.  This loss prone to failure in a bronze mold for cold extrusion and cold heading punch fracture, cracking, and even produce the burst fracture in the steady state, characterized by failure to produce no obvious plastic deformation, the macroscopic fracture shear lip and relatively flat, resulting in the bronze mold can not be repaired permanently disabled. Strong enough failures in cold heading, cold extrusion punch material, compressive strength, bending resistance, easily upset head concave, bending failure. The bronze sculpture are the material carrier of the Shang civilization. Prone to such failure in new product development, and work load is too large, low bronze mold hardness related. Practical experience has shown that black metal cold heading punch hardness less than 56HRC cold extrusion punch hardness of less than 62HRC prone to such failure, an indication of the lack of strength of materials, plastic is more than the toughness potential can play.
Empirical methods to address such early failure of the bronze mold is brittle fracture failure to reduce hardness, deformation to failure increased hardness. The bronze sculpture decoration is the image annotation of civilization comment and the exuberant sense of life of the people in Shang. 

This bronze sculpture is currently the only remaining a national treasure

Note that the symmetrical fastening tighten the screws and do not step to gradually put in place in order to maintain equilibrium. Upper and lower mold together installed, you should check ball cage stretched length. Punching dead center position, the ball cage most row of the ball is not exposed to the guide sleeve, close to flush with the face is appropriate.
 loaded punch after punch 2.1.2 load the punch bronze mold assembled in the tool room, if the mold and punch table positioning as the installation base, the mold is first fitted with locating pins and fixed under the slider screws, and then lower and lower, until there are 0.5 ~ 0.8mm gap between the block and mold, the mold with the slider set screw and then loaded on the first hand to tighten the holding into (Jog ) way to slightly raise the punch slider together with the upper mold rack, under the action of 3 to 4 times, then tighten the fixing screws. Since then, the body of this precious bronze sculpture  was missing. For mold and slider positioning as the installation on the basis of the steps above the opposite. Bronze mold installation, the first single-action presses, confirm mold can work properly only after stamping.
 With regard to the cutting process program after the cold stamping bronze mold processing technology improvements 2.2.1 improve a rolled blank (or casting and rolling pressure rough) to heat to forging to into the cold bed breeze (or mist) quench cooling (cooling rate control in 20 to 45 ° C / min) under certain temperature to bainite isothermal transformation 25min air-cooled to 280 ~ 220 ℃ to pit insulation to about to tempering (Note that the control of temperature and time) to buried in sand insulation cooling to sampling. 2.2.2 Improved process program metal mold pressure casting? Into a cold bed breeze (or mist) to quench (cooling rate is controlled at a certain temperature of 20 to 45 ° C / min) to bainite isothermal transformation 25min air-cooled to 280 ~ 220 ℃ to pit insulation to about to tempering (Note that the control of temperature and time) to buried in sand insulation cooling to sample tests. Antique Chinese bronze sculpture : Cattle Zun.
Cold bronze mold main failure form of quality control of cold-working bronze mold the main failure of the form set out failure, wear failure and fatigue failure, typical failure shape are discussed below. 2.3.1 overload failure 2.3.1 overload failure overload failure means the material carrying capacity enough to resist the work load caused by (including about 10% of the random fluctuations in the load) the role of failure, the including toughness inadequate and insufficient strength of two types of failure. This bronze sculpture  is currently the only remaining a national treasure.  Which the failure of brittle fracture toughness insufficient attention should be paid. insufficient material toughness failure no macroscopic signs of such failure and fracture of sudden cold-working bronze mold failure is the most dangerous accidents in the past a result of such failure, there had been personal accident, to the production of safe and economic construction. resulting in great loss. Assembly, the template surface can not be there are dirt, otherwise cause misalignment. Assembly between the template with the two locating pins, two positioning pins to ensure their mutual position, so pay attention to the locating pin into the depth, in order to ensure its effectiveness, the positioning pin cylindrical wear should be replaced. Assembly bronze mold, the first template to fit together at the positioning pin sets together with brass holding or plastic hammer to gently template knocked flat close together, and then tighten the screws first hand screw, then tighten with a spanner. This is the only one existed elephant zun of Grade One among the preserved bronze sculpture . 

The major discovery of the Sanxingdui bronze cultural treasures

A large exhibition hall, had boarded the cable car line not less than the period of time to reach the Museum - Bronze Museum. Cast soil in the first exhibition for the range of pottery shapes vary, not only to silently declare life situation when our ancestors were no tables and chairs, but also we see the prototype of the first Prachuab Yuanyang hotpot ancients smart hands heartily high pride. Jade Pavilion in getting better, we see a lot of beautiful and exotic jade unearthed in Sanxingdui bronzes. The bronze sculpture are magnificent in shape, exquisite in decoration, and skillful in cast. Sanxingdui bronzes, jade, jade unearthed number not only accounts for two-thirds of the number of National jade unearthed at the same time delicate and fine jade work to incredible proportions.
Because it forced people to give birth to a prehistoric civilization is why there is such a well-developed doubts. No wonder many people think that the Sanxingdui bronze culture is alien. The Sanxingdui bronzes, and the Central Plains culture in quite a different, exquisite single, different styles. They will produce the bronze sculpture of good quality. Archaeological finds in the museum, the large Bronze Figure doubt the most famously, one of the greatest treasures of the Sanxingdui bronze, his portrait 172 cm high, base 90 cm and 262 cm high, together with the foot of the side seat or called. Experts believe that he may Ancient Shu Wang Du Yu, but it is also one on the Order of the Emperor that issued the sentiments of the shaman. A large number of bronze human head, grotesque, more evocative. A round eyes convex, wide mouth closed, perforated with big ears, blowing from the endless majesty and mystery.
Some of these Avatar head is a picture-lip, it seems, should have a hat like "superstructure" and get. The top edge also left several reinforcement of holes. Some not only the head packing braids auricle on the left three small round holes. It is too far behind to catch up with by the bronze sculpture abroad.  Stay to wear three earrings? Some wore a "return"-shaped corolla, Cumeitaiyan giant ear of the wide mouth, neck, the bottom cast inverted triangle, with his flat-topped Corolla as compelling. Some head round without hats, hair combed back into the most eye-catching "butterfly-shaped flower hairpin headdress. Also unearthed in the head a gold mask copper flat top of head, their position seems to be superior. Face wearing a gold mask. The gold mask of the eyebrows, eyes hollow part. The two sacrificial pits of Sanxingdui bronze statue unearthed a total of over 100 pieces of gold, gold scepter, gold mask, Golden Tiger, is the example of China's one-time unearthed from the Shang Dynasty the number of gold.Sanxingdui bronzes site is one of the ancient Shu cultural sites dating back 3,000 to 5,000 years ago, Yan Daocheng by the local farmers' spring by accident in 1929 discovered in Sanxingdui bronzes, after thousands of years of vicissitudes brought to light. The summer of 1986, found two large Shang Dynasty burial pits at the site, a variety of precious relics unearthed nearly a thousand pieces, a lot of bronze ritual. The replicas of Chinese bronze sculpture have once been used as national presents. The major discovery of the Sanxingdui bronze cultural treasures, a sensation at home and abroad. Jessica Lawson, the British Museum in London, chief Chinese archaeological expert said: "These findings seems to be more extraordinary than the famous Chinese terracotta warriors and horses."
Sanxingdui bronzes museum was built at the site of Sanxingdui bronzes severance north-east, covers an area of magnificent pavilion consists of two components, a Hall for our display of pottery unearthed in Sanxingdui bronzes, jade.

the production of bronze sculpture is not a easy thing

By analyzing the link between the bronze shape and function, as well as the Sanxingdui bronzes and the Central Plains culture difference and contact the students to observe and analyze. The exploration to produce bronze sculpture has cost a lot of time of ancient Chinese.  April 13, 2007, Qingyang District History Seminar teachers embarked on a journey to explore the ancient Shu civilization go Sanxingdui bronzes, this trip is only spent one day, but the harvest is the full history of sedimentation and The history of shock. Prior to this, Zeng sand training class from Shuter Experimental High School teacher has been in the region on a history of activity classes.
 Students first contact with the Central Plains Bronze Sanxingdui bronzes in the form of bronze Kam Po, and a taste of the differences are in the process of Kam Po preliminary appreciation Sanxingdui bronzes Bronze culture, to cultivate the students thoughts and feelings of love for their hometown and home building understanding of the brilliant Chinese bronze culture, to enhance students' sense of national pride; enthusiasm. These advantages of the bronze sculpture overcome the shortcomings of the stone wares or porcelain. Diversification of Chinese bronze culture of origin, due to the different historical and cultural traditions. In which the natural and geographical differences in the environment, in different parts of the gradual formation of a unique, since a bronze culture. Their mutual influence, mutual exchange, which constitutes an intricate and colorful Chinese bronze statue picture.
Throughout the history of China's Bronze Age we can see, the Xia, Shang and Zhou culture in the original. Cohesion. Xia Dynasty that it accounts for only a section of the middle reaches of the Yellow River, developed to the late Spring and Autumn, already including the middle and lower reaches of the Yellow River, the Yangtze River and the vast areas of the north and south of the Great Wall. Other districts bronze culture of the motherland, bronze culture of the Central Plains have a strong centripetal force. So after the invention of bronze, the bronze sculpture can be widely used to make tools. More or less affected, while more or less maintained a unique flavor. Sichuan Sanxingdui bronze culture is a strong local characteristics and there is no lack of the typical representative of the Central Plains culture.Chinese bronze culture is a sign of civilization of the Chinese slave society; to understand the basic shape of the various types of bronze and its function; Secretary Mu Wu Ding and other bronze boutique; bronze ritual markers of aristocratic slave owners out or low, and distinguish the levels; bronze inscriptions; bronze smelting method; remains of the ancient Shu civilization - Sanxingdui bronzes; diversification of the origin of Chinese civilization. Interesting form of activity, increase the interest of the students' learning of history. By recognizing the brilliant Chinese bronze culture, to enhance students 'sense of national pride; by recognizing Sanxingdui bronzes Bronze culture, cultivate the thoughts and feelings and enthusiasm of the students' love of home and home building. In conclusion, the production of bronze sculpture is not a easy thing.
Understand the bronze ritual system and its development and changes, and guide students to understand: "The culture is a reflection of certain social relations of production." Appreciate the bronze art to develop students' aesthetic.

Fish Yu Zhang the Sanxingdui chinese bronze culture-specific artifacts

Bronze ornaments have appeared in Henan Yanshi Erlitou subsequently disappeared, and became a short time, a popular and distinctive characteristics of objects, has a special position in the development history of Chinese bronzes and early history of civilization. Only in this way can appreciate and evaluate this noble ferocious beauty of the bronze sculpture. Sanxingdui bronze decorated with Erlitou is very similar, they may have some origins. Sanxingdui bronzes unearthed a total of 40 pieces of brass bell, eagle-shaped, flower-shaped, Animal Face-shaped culmination of change, attractive appearance, and are clapper, striking out the sound; there are a variety of insects shaped copper ornaments, estimated to be hung with bells supporting.
 Sanxingdui bronzes found in copper Ge, unusual shape, length about 20 cm, aid was slender isosceles triangle, serrated on both sides of this jagged Ge is the first time in the country to see. From this Ge was a flake, not with the destruction of this point of view, ritual supplies may be made by the imitation of a similar combat weapons. In the slavery era, they actually were not the subjects of the aesthetic appreciation but the religious ritual bronze sculpture for the sacrifice. This peculiar form of copper Cheung found only in the Sanxingdui bronze, 13.5 cm long. The biggest difference with the general dental Zhang modeling was like Shui fold, it is the body of the hook on one side, perhaps quite rare in the hands of the executive to take the items Sanxingdui bronze sculpture. Gold unearthed in the ruins of Sanxingdui bronzes more than 100 pieces, mostly gold and silver binary alloy, the gold content is generally about 85%, another 15 percent are mostly silver.
 Sanxingdui bronze gold casting process is roughly as follows: the original method of panning alluvial gold, smelting into the alloy melting, made of gold with artificial hammering and rolling, Gympie, gold foil, and use of molding, paste, sculpture , hollow, and other technology. The human head wearing a gold mask is one of the most striking relics of Sanxingdui bronzes. The gold mask hammer Billiton from Gympie, paste it in the bronze human head, eye, eyebrow at the hollow. To the feudal age, there were also the historical facts that the bronze sculpturewas destroyed due to the ferocious figure. Why only 57 bronze human head 4 wearing a gold mask, the performance of different skin color or a different position? Its deep meaning lie? The world's archaeological history of ancient Egypt, ancient Greece have unearthed a gold mask, Sanxingdui bronzes and whether there is any contact between them? The golden scepter, from the burial pits No. 1, a total length of 1.42 m, 2.3 cm in diameter.  Whole objects processing a very high degree of difficulty, just cut a more than two meters long jade material is an unimaginable things. "Fish Yu Zhang the Sanxingdui chinese bronze culture-specific artifacts, the overall shape like a fish named. A great deal of taotie motifs of the bronze sculpture remain the original, na?ve and honest beauty. A lot of fish and bird shape of the objects found in the ruins of Sanxingdui bronzes, this may be and then totem, nature worship, Fish Yu Zhang is closely related to the artifacts and Yufu dynasty. Sanxingdui bronzes, exquisite workmanship, and a wide variety of jade ritual proves Sanxingdui bronzes ancient Shu State no later than in the late Shang Dynasty, already has a more perfect system of religious worship. Agni molten gold - Unit 5 fire molten gold - Sanxingdui bronze smelting found the earliest bronze relics of the Xia Dynasty 4000 years ago, the most glorious period of Chinese bronze culture is the Shang and Zhou dynasties, Sanxingdui bronzes bronzes are a a typical representative of the bronze culture of this period in southwest China.
The medial wall of the unearthed bronze found the remains of mud core, ie within the range, which is enough to prove the Sanxingdui bronzes Fan casting cast molding. This bronze ornaments seemingly ordinary, practical and very extraordinary.

Ancient Sichuan endemic a bronze dragon dagger

The ancients believed that the hemispherical dome, and the idea embodied in the ritual. The inner circle of this foreign Cong, whose main purpose is to Jide. Cong is the typical artifacts of the lower reaches of the Yangtze River Liangzhu culture in Sanxingdui bronzes description of the two places there will be some early cultural exchanges. Sanxingdui bronzes and jade more round objects are: Bi, Yuan, ring.
These rather artifacts of the Central Plains and cultural features Sanxingdui bronze culture and the Central Plains and cultural ties have been more closely. These three objects in the most well-known bi, bi in the eyes of the ancients is the symbol of the canopy. "Zhou Li" will be bi as a "six", showing bi belong to one of the most important ritual in the ancient rituals. The bronze sculptureof this time still retains a certain real childishness. Is the largest nationwide found body Shek Pik, its diameter of 70 cm, 7 cm thick, weighing pounds more than the shape of the lid side of the wells, Shek Pik on the obvious traces of drill pipe. Shek Pik, the large diameter of more than 10 cm, the small diameter of only 23 cm, unearthed in the pit from largest to smallest overlay, such as stalagmites, a symbol of the group Luan peaks, there may be a Babel meaning.
The archaeologists found some spinning wheel of life such tools is taken down from the middle of the Shek Pik Shek core processing, can be described as the best use. "Zhang the Sanxingdui bronzes and a jade, Yu Zhang of the Sanxingdui bronzes into side Chang and teeth Zhang, front-end called teeth Zhang points teeth to split the bevel flat called the edge Cheung. In this case, the bronze sculpturesends out a non-reproductive and unattainable beautiful style. This teeth Zhang, choice of materials, the whole body glossy black, and 90.8 cm long, 5 mm thick, the edge part of the thin but sharp as new, the bottom on both sides of the shank fine processing of multi-toothed of Fei edges and openwork pattern , dignified and elegant. It is found that the country's largest Zhang residue length 1.59 m, estimated original length more than two meters at both ends engraved with exquisite decoration, flowing lines, fine hair. The etiquette of jade weapons, tools are an important feature of the Sanxingdui bronze jade culture. Yu Jian despite this forward a torn still precious. Ancient Sichuan endemic a bronze dragon dagger because of the shape of willow called "willow sword." The past, people have always thought that popular late times, derived from other regions, Yu Jian The Sanxingdui bronzes unearthed to prove that willow sword most likely originated in the Shu. The mix of superman’s mysterious history and the concept of the primitive religion lead the bronze sculpture to exude a serious atmosphere of fate. Now, some scholars have proposed a novel insight: that the willow sword called for many years, but it is the correct name should be called "bamboo sword". In fairness, the shape of this sword of view, than the willow like bamboo leaves, look at the Sichuan region and over the lush bamboo forest, and perhaps Ancient Shu Kingdom made this sword is modeled after the look of bamboo leaves made of. Sanxingdui bronze jade ritual which the number of Ge and Zhang (zhāng).
 "Ge" is a weapon, but the production of these jade Ge, fine processing, the body is very thin, do not have the lethal blade unearthed complete, as new, no traces of use, should be used for ceremonial artifacts in religious rituals or performing activities and growth momentum, while worshiping their ancestors, and calls upon the activities of the gods come for the evil town of magic. The characteristic of this era have been deeply cast into every decoration of thebronze sculpture.

The decoration on the bronze sculpture of Shang embodied the ferocious beauty

Chinese Dragon is the most auspicious and most sacred decoration used on the bronze sculpture . Then, transfer to the rear area of some scholars, to suddenly see before and after many Warring States from Sichuan Bashu bronze, there is a strong own characteristics, Bashu Culture proposition. On Prachuab remains a formal excavation, only the 1934 a small-scale work, Prachuab cultural understanding, the main products from the diaspora have seen some bronze (especially copper weapons) to get. Since the late 1970s until the 20th century, in order to cope with the coming of the Three Gorges Dam construction, have done a lot of archaeological work in the Xiling Gorge, Yangtze River.
It discovered the remains of a series of early Palestinians, and then excavated Sanxingdui bronzes in the Chengdu Plain twelve bridges early Shu cultural remains, and finally to confirm the equivalent of three generations of the early Shu culture and early buses culture. Sanxingdui bronzes site area is the ancient Shu ancient capital site area of the region, according to the excavation report from May 1980 to May 1981, no less than 40,000 square meters, which will not be a general village sites. The decoration on the bronze sculpture of Shang embodied the ferocious beauty. The so-called Sanxingdui bronzes, such as rammed earth walls at the corner of ruins. An ancient city Nishigaki, Beiyuan and Higashigaki of rammed earth ruins. Sanxingdui bronzes seems to its southwest corner. 1934 University of Love West Museum excavation sites Moon Bay, the northern part of the city. With the advances in modern business, the simulation arts and crafts of the Sanxingdui bronzes Museum near everything. Sanxingdui bronzes created and broke the world record, the Chinese record, including a number of records selected Chinese Association of World Records world, China the most. We may want to learn to appreciate the culture of the bronze sculpture . The world's oldest tree with the highest bronze sacred tree. 384 cm high, branches three clusters, each cluster three, nine, 27 fruit and nine birds on the tree side edge of the tree of a dragon winding down. With inferred may be the ancient myths and legends of the hibiscus tree. The world's first golden scepter. 142 cm long, 2.3 cm in diameter and weighs more than 700 grams, a carved head, Ichthyornis ornamentation.
The world's largest and most complete bronze stand portrait. Through 262 cm high, weighing over 180 kilograms, is known as the bronze statue of the king. The world's largest the bronze Zongmu portrait. 64.5 cm high and 138.5 cm apart between the ears. The world on a one-time unearthed the largest bronze heads, masks. Decoration on bronze sculpture has a strong taste, but also has some deep symbolic meaning.  More than 50 pieces. To determine the early Shu culture and early Palestinian cultural position. Chinese ancient Shu culture and Pakistani culture, geographical distribution are different, but adjacent to each other, and its cultural landscape a difference, there is a lot of similarities. In other words, the early Shu culture and Pakistani culture has its own characteristic, and other archaeological cultures of the same period as compared to their commonality is very prominent, two designated a cultural circle (area).
 Shu culture and Pakistani culture is two small culture within the cultural circle (area). The ruins of Sanxingdui bronzes as early as 1929 found that 1934 has been excavated, but the name of Ba-Shu culture in archeology, have as late as the Anti-Japanese War.

the decoration of the bronze dragon equals to an emotional language of people in the Shang society

The bronze sculpture are the fruits of the hard-working Chinese people. This "alkali stone, of frying the salt. Land Gang halogen, not grain." Until modern times, this place is still a severe iodine deficiency, Graves disease endemic areas. We know that an important feature of the hyperthyroid patients, the eyes protruding. Therefore, the Shu Wang Cancong is may be a severe hyperthyroid patients, during his lifetime eyes extra bulge. The when in shaping Cancong statue, his descendants, to seize this feature and "deification", which is Shu Wang Cong statue has been portrayed as the reason of the Zongmu.384 cm high bronze sacred tree, a tree nine branches stand the habitat of birds, hook hanging branches under fruit tree trunk next to a dragon aid tree down, very vivid, mysterious of the ancient myth of hibiscus image reflected the a. Sanxingdui bronzes characterized by a large number of figures, birds, beasts, Chongyi, plant shape. Therefore, the decoration of the bronze dragon equals to an emotional language of people in the Shang society, reflects the spirit, pursuit and ideas of the Shang people. Bronze heads, the faces of the people like and human mask on behalf of worship of ancestral spirits; bronze the legislation portrait and Kneeling Figure on behalf of the ritual prayer and presided over the ritual; eyes protruding forward bronze animal masks and flat bronze Animal mask, etc. may Shu worship of natural gods; imitation plants in the shape of the characteristics of the bronze sacred tree, which reflects the religious consciousness of the Shu plant worship. Ancestor worship and the animals, plants and other natural gods worship as the main religious concepts, which is the spiritual world of the early Shu main.
Two pit unearthed bronzes, in addition to bronze container with Central Plains Shang culture and style of the bronze culture of the middle reaches of the Yangtze River, the remaining types of artifacts and shape have a very strong local characteristics, they unearthed the first time to show the world the Shang Dynasty highly developed and stylized look of the late Shu bronze civilization. The use of bird pattern on the bronze sculpture is especially pronounced. It is worth noting: the relics of the "eyes" not only a large number of bronze relics unearthed in Sanxingdui, performance, and these relics rare, exotic, such as a mask, the eye is extremely exaggerated, pupil part of the cylindrical columnar protrusion, long up to 16.5 cm. Again so sudden mesh copper mask, eyes prominent cylinder 9 cm long.
 In addition, there are dozens of pairs of eye-shaped copper ornaments, including the diamond-shaped, hook-shaped cloud, round bubble-shaped, so many forms, surrounding both mortise holes, can be assembled or separate suspension lift Bong, showing the unique eye attention. Why the ancient Shu people attach so much importance to portray the eyes? Why copper mask eye pupil section for cylindrical? Zhou people preferred this type of patterns to be on the bronze sculpture . It turned out that the worship of ancestors of the ancient Shu people. As mentioned earlier, Huayang "reads:" Shu Hou Cancong, the head vertical, before the king "burial" Zongmu mound. According to scholars, the so-called "Zongmu, which means a cylindrical bulge in the eyes of this copper mask, unearthed in Sanxingdui bronzes sudden mesh copper mask, it is the ancient statues of King Shu Cong. According to historical records, Shu Wang Cong originally living in Sichuan, northwest the Minshan upstream of the Munsan County.