Modernist bronze sculpture is in the process of irreversible fate

The solidification of the state space and linear time, the development is broken, so that viewers get a new control experience. As the existence of traditional art in a fixed category, which modernist bronze sculpture is in the process of irreversible fate. China’s Age of bronze sculpture began at late Shang and early Zhou around 2000 BC. Then, bronze sculpture and installation of the invasion and Infiltration, in fact, post-modern turn in the context of such a grand start of the. In such a context, technology, media and business by the means of artistic creation, the process turned a teleological meaning. In this article, then I both bronze sculpture and installations for comparison, its ultimate meaning is not to draw the boundaries of their own, but comes down to this one issue, "the mass media as a public speech from the old center position instead of painting, bronze statue, and the pressure it would impose an example of what kind of changes to the Arts. "
Sun Zhenhua: Hsiung Ping-and twentieth-century Chinese bronze sculpture. Western bronze sculpture belong to different systems. Twentieth century, the decline of China's domestic bronze sculpture, western bronze sculptures system into the mainstream. To the mid-Western Zhou Dynasty, bronze sculpture in terms of artistic achievement has reached a peak.  The study of Western China and the introduction of the original bronze sculpture is blind, why learn? Actually not quite understand. Value determined on the premise of Western bronze sculpture is a bronze sculpture and Chinese culture to judge. Hsiung Ping-shift in the French chinese bronze from the study of philosophy, the theoretical thinking of the object, mainly around Rodin carried out. Rodin bronze sculpture in the Western sense of history, Rodin's specificity, the decision on the interpretation of Rodin, is the interpretation of the twentieth century, the Chinese people the key to Western bronze sculpture. Hsiung Ping interpretation of Rodin's both passionate and full of philosophizing.
He stood in the position of the Chinese people to Chinese people can understand the culture, a discovery and interpretation of the Chinese people can understand Rodin, this discovery raised the Chinese people overall understanding of Western bronze sculpture, bronze sculpture in China out of its Western-centrism, the formation of local Chinese bronze sculpture and the comparison with Western bronze sculpture possible. To the Western Zhou Dynasty, china bronze on the level of technology has reached the zenith. Hsiung Ping's Chinese bronze sculpture that represents the real into the state of theoretical speculation, he will bronze sculpture and philosophy, religion, poetry links, changed the traditional Chinese view of the inherent bronze sculpture, the sculpture in bronze cultural values to a new level.
Rodin in his interpretation of the process embodied in the methodology and specific bronze sculpture also reveals the problems in China, to build the future of China's domestic system for the theoretical preparation bronze sculpture. The achievement of the bronze sculpture has never been reached and will never be approached again. Hsiung Ping-twentieth century, the typical Chinese intellectuals, than his peers, the experience seemed more special Hsiung Ping: Southwest 1944, the National Department of Philosophy After graduation, he studied at the University of Philosophy in Paris in 1947, a year later, turn Ruba Li College of Art bronze sculpture, up to fifty years of history in France, living in a foreign land Hsiung Ping, his inner world and the motherland the same interest rate as an intellectual, a thinker, he is also thinking about the problem generation of Chinese intellectuals of common interest and common thought.