Thursday, June 28, 2012

The bronze sculpture of this time still retains a certain real childishness

The ancients believed that the hemispherical dome, and the idea embodied in the ritual. The inner circle of this foreign Cong, whose main purpose is to Jide. Cong is the typical artifacts of the lower reaches of the Yangtze River Liangzhu culture in Sanxingdui bronzes description of the two places there will be some early cultural exchanges. Sanxingdui bronzes and jade more round objects are: Bi, Yuan, ring.
These rather artifacts of the Central Plains and cultural features Sanxingdui bronze culture and the Central Plains and cultural ties have been more closely. These three objects in the most well-known bi, bi in the eyes of the ancients is the symbol of the canopy. "Zhou Li" will be bi as a "six", showing bi belong to one of the most important ritual in the ancient rituals. The  bronze sculpture of this time still retains a certain real childishness. Is the largest nationwide found body Shek Pik, its diameter of 70 cm, 7 cm thick, weighing pounds more than the shape of the lid side of the wells, Shek Pik on the obvious traces of drill pipe. Shek Pik, the large diameter of more than 10 cm, the small diameter of only 23 cm, unearthed in the pit from largest to smallest overlay, such as stalagmites, a symbol of the group Luan peaks, there may be a Babel meaning.
The archaeologists found some spinning wheel of life such tools is taken down from the middle of the Shek Pik Shek core processing, can be described as the best use. "Zhang the Sanxingdui bronzes and a jade, Yu Zhang of the Sanxingdui bronzes into side Chang and teeth Zhang, front-end called teeth Zhang points teeth to split the bevel flat called the edge Cheung. In this case, the  bronze sculpture sends out a non-reproductive and unattainable beautiful style. This teeth Zhang, choice of materials, the whole body glossy black, and 90.8 cm long, 5 mm thick, the edge part of the thin but sharp as new, the bottom on both sides of the shank fine processing of multi-toothed of Fei edges and openwork pattern , dignified and elegant. It is found that the country's largest Zhang residue length 1.59 m, estimated original length more than two meters at both ends engraved with exquisite decoration, flowing lines, fine hair. The etiquette of jade weapons, tools are an important feature of the Sanxingdui bronze jade culture. Yu Jian despite this forward a torn still precious. Ancient Sichuan endemic a bronze dagger because of the shape of willow called "willow sword." The past, people have always thought that popular late times, derived from other regions, Yu Jian The Sanxingdui bronzes unearthed to prove that willow sword most likely originated in the Shu. The mix of superman’s mysterious history and the concept of the primitive religion lead the  bronze sculpture  to exude a serious atmosphere of fate. Now, some scholars have proposed a novel insight: that the willow sword called for many years, but it is the correct name should be called "bamboo sword". In fairness, the shape of this sword of view, than the willow like bamboo leaves, look at the Sichuan region and over the lush bamboo forest, and perhaps Ancient Shu Kingdom made this sword is modeled after the look of bamboo leaves made of. Sanxingdui chinese bronze jade ritual which the number of Ge and Zhang (zhāng).
 "Ge" is a weapon, but the production of these jade Ge, fine processing, the body is very thin, do not have the lethal blade unearthed complete, as new, no traces of use, should be used for ceremonial artifacts in religious rituals or performing activities and growth momentum, while worshiping their ancestors, and calls upon the activities of the gods come for the evil town of magic. The characteristic of this era have been deeply cast into every decoration of the bronze sculpture .

the ferocious beauty of the bronze sculpture


China's jade industry is very developed, since the late Neolithic period, Liangzhu culture jade during this period, the most famous jade unearthed from the Shang Dynasty Yin Ruins in the Zeyi Henan Anyang tomb of Fu Hao, the Sanxingdui bronzes Wei spectacular jade group, again the eyes of people attracted to the mysterious Sanxingdui bronzes ancient Shu State.
The ancients believed that "beautiful stone jade, the plots were from the stone of the ruins north of Duck River are the ancients of raw materials used to make jade. Sanxingdui bronzes and jade stone comes from Sichuan Maoxian, Wenchuan to Dujiangyan area. Stone smooth surface, cutting the traces, it is likely that is thousands of years ago, ancestors of manuscripts left. Hardness of jade, the molding process is also more complicated, the Sanxingdui bronzes sites, we have not yet found the tools left behind by the production of jade, then the Bronze Age, the ancient Shu people what is what tools to use processing of jade? It is this superhuman history power that constitutes nature of the ferocious beauty of the bronze sculpture .  Sanxingdui bronzes as composed of sets of exquisite jade fully demonstrates the superb skills of the artisans, and a great deal of patience and perseverance, Shang Shu country already has a certain scale jade processing workshops.
 "Zhou", "Jade Six Articles, the ceremony world Quartet, to Cangbi ceremony days yellow Cong (cóng,) ceremony to ceremony the South; Green Kyu ceremony of the East, red Chang; white Hu (hǔ), ceremony West, the mysterious Juan (huáng) ceremony north of the records shows that jade in ancient China is widely used in ritual (shen2) only (qi2), preparing for the wedding. Sanxingdui bronzes, jade, mostly with a strong religious ritual color of ceremonial items. This dynasty accented the mystical and ferocious style of the  bronze sculpture . Chisel, this is a tool, Sanxingdui bronzes jade chisel choice of materials, processing fine, do not use traces, especially the second pit "chisel" unearthed are on the copper Urn and (léi) The tools that these jade ritual worship dedicated to the gods. Unearthed the ruins of a large number of precision machining tools and weapons, including spears, pounds, ax, knife, sword and other objects also do not have practical value, unearthed when the blade sharp, such as new, and more for sacrificial pit, it should be as gifts device.The three-legged cooking may be the apparatus of the ancient cooking food, showed a three-legged race for the trend, with a single step can light a fire plus three-legged cooking temperature, the three legs are hollow, with the same mouth, the water capacity, large disk can be used to Sheng (cheng2) water or food placed its huge body and unique shape is very rare. It is just because the  bronze sculpture  is a manifestation of the Superman force. Sanxingdui bronzes unearthed pottery cover the New York modeling vivid, lively and lovely, from the modeling perspective, the Lianpeng like, cockscomb-like, and some like the roof of the mosque, covered part of the round from the system, part of New York with hand-molded, fully display the rich imagination of the Sanxingdui bronze unknown artisans and superb technical skill unearthed the ruins of hundreds of birds head (ba4) spoon "spoon body part most of the damage, only bird's head shape of the spoon (ba4) ".
Birds curved hook beak and Osprey are very similar. academia that the Sanxingdui bronzes ancient Shu State may be the third generation of the legendary Shu Wang Yufu is closely linked to a large number of birds is a very important one of the bases in the first spoon. Sanxingdui bronzes pottery plain qualities, reproduce vivid picture of the ancient Shu people's daily life, and Sanxingdui bronzes ruins dating of the Sanxingdui bronze culture stage has played a great role. Yu speaks - Sanxingdui bronzes and jade jade in the history of the Chinese nation has a unique position. The  bronze sculpture has been mystified yet pushed forward the history.

Sunday, June 24, 2012

the urgent need for anti-fascist war theme chinese bronze

Chongqing has become the international city par with Washington, London, Moscow, 14 in Chongqing people, the indiscriminate bombing of the Japanese machine, insisted on the production, making a donation to support the front to support the national liberation war, with great self-sacrificing spirit and determination of the extraordinary cultural character, eight-year war against fascism provisional capital culture extremely valuable spiritual wealth for Chongqing Chongqing important position and role in the war against Japan and France, Japan enacted a 101 battle plan. This pattern on the  bronze sculpture often performs the shape of fish.
 February 18, 1938 to 1943 August 23, Japan Battle When the capital of China, Chongqing, up to five years of strategic bombing, known as the "Bombard" bombardment of Japan, has created a tragic "Five, five four bombing", "August nine bombing and sixty-five tunnel tragedy. "Bombard" lasted so long, broad scope, the disaster caused by the deep, during World War II and the history of human warfare are rare. The patterns of fish are often carved inside a  bronze sculpture . of existing anti-fascist bronze eagle position and prospects for the development of inspection of the subject of war can be found in Chongqing city in the investigation of the anti-fascist war theme bronze sculptures, only a handful of bronze sculptures of such subject matter.
They are small works relatively well-known the event of Jiaochangkou Memorial and War sixtieth anniversary of the victory of the 1980s have completed by tutor Professor Guo Xuanchang and Professor Wu Ming "Bombard Memorial statues and" works for historical reasons, has been ignored since the war the provisional capital culture of mining in the creation and construction of the anti-fascist war theme bronze sculpture with foreign compared to the same type of city, there is a big gap between the countries in the world with the arrival of this special occasion of the sixtieth anniversary of the victory over fascism, the rise again an "Remembering the past, cherish peace," the ideological trend of a large number of bronze sculptures creation and building out 14 See Xiao-Xia Yang, Chen Guosheng Provisional Capital and cultural resources and tourism development are set out in the 'Economic Geography "1997 in September of t'72. It reflects that the ornaments and the form of the  bronze sculpture are closely integrated.
 Journal of Chongqing University for the provisional capital of the War against Japanese culture conditions Bronze Sculpture language to explore the thinking in this context, Chongqing, a large number of local experts and scholars began to study war provisional capital of culture, called for the creation and construction of Chongqing bronze sculptures of the geographical characteristics of the anti-fascist war theme, in order to reflect and build the war provisional capital of culture in Chongqing Chongqing, the urgent need for anti-fascist war theme chinese bronze. Besides, it is not rare to see them on the  bronze sculpture or mirrors. In addition to international factors, is the accelerated pace in Chongqing city the development needs of mining historical and cultural resources to enrich the city's cultural ecology. no cultural features or cultural characteristics of single to pursue the development of the city, so the result is terrible.Finally obtain the complete victory of the Chinese nation hundreds of years of ethnic war, of great historical significance and international significance. Japanese War broke out soon, Chongqing became the wartime capital of China, was the political, military, economic, cultural and diplomatic center in the eight-year war period, the Chinese government's first World Anti-Fascist countries to work together to establish a unified military command structure with a united front. Pacific War After the outbreak, Chongqing has become the anti-fascist war in the Far East Command. Few gu, a wine bronze sculpture  and individual plates also have cicada patterns. The mediation of the Chinese Government in Chongqing, the home rock held in the United States and Britain joint military meeting, officially formed the military alliance of the three countries together with the Soviet Union, World War II international anti-fascist semi-final pattern. Soon thereafter, America, pods and other countries one after another announced the abolition of the unequal treaties signed with China in World War II,

This bronze dragon sculpture makes the Yunlei wen as ground-tint


This to demonstrate the knowledge and understanding of the concept of I I anti-fascist war bronze sculpture theme rack bronze sculptures. Summary shelves bronze sculpture is a small-scale bronze sculpture language form suited to do the bronze sculpture scrutiny of the language of art and experiment. shelves bronze sculpture theme of anti-fascist war has been carving creative concern, walking in the forefront of the artistic language of such themes to explore more digging on the theme of anti-fascist war bronze sculpture widely and so should continue to play the shelves bronze sculpture in the language of art to explore flexible features, on the basis of the original language of art, to continue this theme of mining, to play a greater cultural value. Cicada patterns became popular among the  bronze sculpture in Shang and Western Zhou dynasties. Anti-fascist war themes, on bronze sculpture art language study should continue to explore the direction of the conceptual and academic development of the latest trends and achievements show that the concept is a bronze carving creative concepts suited to the modern aesthetic.
 If the artistic language of practical subject matter of the anti-fascist war mining at the end of the creation of conceptual work are endless. This allows for better development of the cultural value of the anti-fascist war bronze sculpture theme. Journal of Chongqing University for the provisional capital of the War against Japanese culture conditions Bronze Sculpture language to explore the thinking Probe of the bronze sculpture artistic language of the provisional capital of the War against Japanese culture under the conditions of Chongqing status and role in the anti-fascist war in Chongqing, the wartime capital of China during the War of Resistance against Japan, the Southern Bureau of the CPC Central Committee and the KMT-CPC second cooperation between the location of the War of Resistance Against Japanese Aggression and the World Anti-Fascist War a great contribution and heroic sacrifice. It was mainly decorated on the spout of a bronze sculpture .The historical events of the impressions and ideas to enhance the concept of the work, the whole composition with irregular arrangement of a fascist soldier, the soldier's upper body turn to produce a variety of changes, in line with bronze sculpture of three-dimensional modeling and the beauty of multi-angle viewing, but also showed the tragic story of the fascists were defeated. the same time, the composition is also low after the high of the ladder-type composition. There is also one long lineal cicada with feet on the  bronze sculpture .  Front of the soldiers Fu Xiashen son to hand over their weapons, his legs almost to kneel, the next few fascist soldiers also showed a dynamic expression of the different forms of surrender for mercy. In addition to the careful arrangement of the overall composition, the works also Figure 4.10 China, Chongqing, Zeng Hua (author) 1945, Spring . Fig.4.10 1945.spring.
Source: Journal of Chongqing University of the author four anti-fascist war theme rack Bronze Sculpture language analysis using exaggerated widening change the character of the fascist soldiers in the works short, showing the impression of the author himself fascist soldiers in the performance of conceptual works also use a wonderful description of details the work of the people legs open eight-shaped, showing the concept of the author himself, and for Japan and France impressions and personal understanding of the reactionary fascists, people feel in the humor for the performance of the defeat of the fascist works blinded eyes, blown-off legs and other details. This  bronze dragon sculpture makes the Yunlei wen as ground-tint.

Sunday, June 17, 2012

The creation of the bronze statue eagle monument

Works of sculpture in bronze figurative or symbolic language performance out of an attempt to give the shock strength and a deep impression, people never forget this history. Buckling patterns, one dragon or several dragons coiling together and two or more dragons sharing one head are common dragon patterns on the bronze sculptureof Shang Dynasty.  With the continuous development of such themes bronze eagle monument in the form language, the creation of such themes bronze eagle monument by adding a richer connotation. The bronze eagle monument of the theme of the anti-fascist war requires not only to express a certain history, to promote the idea of peace, it also requires to fully consider the audience participation. Such participation includes both the spirit of participation and involvement. This conversion of a people-oriented role.
 This conversion to achieve a multi-function anti-fascist war bronze sculpture theme Monument Figure 2.10 Berlin Holocaust Memorial Fig. 2.10 bloodbath monument of Berlin. Source: Landscape Network andscapecn. Kui Long wen on the bronze sculpture usually refers to that kind of horned dragon with arched body.  The coln Chongqing University Journal bronze sculpture of two anti-fascist war theme Monument artistic language, is the conversion of a design concept. The creation of the bronze statue eagle monument, the creator of the first thorough consideration, including environmental factors. Consideration of environmental, historical context, modeling the idea of such factors as a memorial to the work set "field". The "spirit of place" to create a common practice of post-modernism. This is conducive to the spiritual experience of the visitors. In general, this created the "spirit of place" is closed, both the monument works the whole as a carrier to create a spirit of place. Enter the audience into the work set by the creators of this spiritual place, people actually experience the feelings of the moment.
 2005, newly built in the German capital Berlin Holocaust memorial that reflects the style characteristics. (2.10) this piece is a monument into 2711 rectangular concrete piers combination through which there is a walk through the maze of feeling, reminiscent of the imagination since that tragic era 60 years ago. Visitors must find a way out in this easy to get lost cement jungle ", this experience visit this memorial design is unique. Normally this kind of animal on the bronze sculpture is an image of a lateral view of the Kui. Once into it. Will feel lonely and disoriented. People from any direction into the Memorial area to visit. Region not Renhe Qing bronze inscription nameplate, visitors depends on their feelings and imagination to experience the helplessness of the victims of the Holocaust, alone and suffering. Secluded 2.9 Su Jieshi first glance, the Battle Monument Fig 2.9 of The  after the participation of the modern experiential in style, modern experiential in style on the occasion of the sixtieth anniversary of the victory over fascism, some European and American anti-fascist war theme bronze sculpture monument with the creation of artistic language. This is a relatively new concept for the monument design. There are basically three forms of bronze sculpture.  The characteristics of this style is the creation of the monument, fully consider the feelings of people during a visit to the spirit and participation. Experiential participation and fuzzy temporality of the spirit of the two features of this style. Sujieshika battle monument. Source: World bronze sculpture Complete Works of Cheng Kun World bronze sculpture The Complete Works "[J] the experiential Henan Art Publishing House to participate in this creative concept creative concept and the monument.
 The focus of anti-fascist war theme bronze sculpture monument to commemorate the construction of the monument is intended solely to commemorate a big event or an important figure in the history of anti-fascist war.

Some of Kuis are proved to be geometric patterns on the bronze sculpture


Kui Long, also known as kui on the bronze sculpture, is an animal approximate to a legendary dragon.  They advocated a "campaign style" and "bronze sculpture that environmental" in the creative process, "absolute and complete abolition of the lines, do sophisticated portrait of bronze sculpture, we should figure open, into the environment of the "bronze sculpture home to the persons or things to do right to any form of deformation, and advocated the integrated use of a variety of materials.
 Mole so that the environment into the creation of the monument, the bronze eagle monument construction concept of the environment, is a symbol of the anti-fascist war to create a bronze sculpture monument to modern public. Animal patterns are usually portrayed on the bronze sculpturemore with a horn and a foot.  The use of this form of style, carved sculptor research bronze memorial and commemorative landscape a theoretical basis. . References see [America] H. HJ arsenal of modern Western art history "out of Tianjin People's Fine Arts Publishing House in February 1994 the subject of war, then Sri Lanka, 212 3-8 lines of 17 Chongqing University Master's degree thesis anti-French bronze sculpture monument artistic language of Cubism after the use of style and futuristic features of the language, the works of bronze sculpture theme of anti-fascist war to the development of abstract expressionism direction.
The form of some of the more simple geometric composition to create works more wealth to the space appeal, thereby enriching the artistic language of the anti-fascist war bronze sculpture theme. Such as Yugoslavia today's prestigious masterpiece Sujieshika Battle Monument (Figure 2.9), it is the sense of the form of abstract expressionism, the performance of the Yugoslav anti-fascist war during the battle. Some of Kuis are proved to be geometric patterns on the bronze sculpture. The monument monument is strange milky white cement made of two abstract the towering 19 meters high, sandwiching a narrow passage, a symbol of sinister and hardships of the breakthrough battle. Rocks on pieces of thin relief, the performance of this campaign moving scene. Futurism is an art to abstract development process, namely the development of modern art plays an important role in the performance of these types of style language used in the when the creation of the anti-fascist war monument bronze sculpture, bronze sculpture home to the flexible use of, the evolution of the various forms of language, has greatly enriched the stylistic language of anti-fascist war bronze eagle monument in the form of Cubism to the object shape as the geometric structure of the composition of this bronze sculpture shape is a major change of understanding, so put the bronze sculpture in the shape of the composition of the geometric space rather than the combination of the amount of old traditions, made out of bronze dragon eagle shape complete overall of a bronze sculpture home thinking processing, rather than realism as imitation of things. The bronze sculpturehas lost its original dominant ferocious color and turned into beautiful ornaments.
Do so out of bronze sculpture shape of a solid sense of Cubism use for the realization of the monument to create a large space of the overall create the conditions for large-scale anti-fascist war sculpture theme Monument space artistic language from a very limited amount of a combination of understanding to turn to a combination of understanding the futuristic stressed the coordination of the arts and the environment. futuristic bronze sculpture home in bronze sculpture and environment to seek value.

Sunday, June 10, 2012

Carved in bronze eagle monument and bronze rack form of style

Innovation and the use of the new style does not mean that the original style is outdated, but in the rich language of such a theme style performance. Another kind of chinese bronze is the nails are placed in inclined checks, named the oblique grid pattern nails. The bronze sculpture art language of the anti-fascist war theme art concepts less impact. Continue to learn from the other arts language research, but also follow their own express direction of the demand. The works are always trying to be able to withstand the test of time, so that the bronze sculptures become an eternal remembrance.
The early works of the anti-fascist war bronze sculpture theme for the writing style of realism to the bronze sculptures popularity and publicity functions. Works with lifelike and realistic approach. Seize the typical characteristics of the typical character to adapt to the anti-fascist war propaganda and incitement to anti-fascist fighting enthusiasm of the people. Post-war anti-fascist war theme of the works of bronze sculpture creation has been a great development, creative theme has been extended. Shang Dynasty attaches great importance to the chinese bronze.  Especially the emergence of some of the large monument of bronze sculpture, these works show the national forces, to promote the idea of peace, and performance of the power of justice and the great theme to explore the anti-fascist war theme based on requirements. On this basis, the symbolic style approach can be utilized.
 The practices of performance such as "peace," an abstract concept. At the same time, large-scale monument bronze sculpture of a large number of built lifelike and realistic approach shows more and more expressive inadequacies. Some of the more suitable in the construction of large-scale monument bronze sculpture in the form of style innovation. In this context, Cubism, Futurism, and Abstract Expressionism style can be creatively used in the creation of anti-fascist war theme bronze sculptures. This action means the essential ritual chinese bronzein the religious activities were hold in high regard. Enter the 1990s, the anti-fascist war bronze sculpture theme into one of the rich, diverse and anti-fascist theme bronze sculpture creation pattern of form and style requirements have become more diversified and individualized. Carved in bronze eagle monument and bronze rack form of style, innovation and new direction of development. Many anti-fascist war, the war the city looking for its own distinctive historical themes, which makes the anti-fascist war bronze sculpture theme once again enrich and develop. Chongqing today is in the process forward to a modern metropolis. The excavation of the war provisional capital of culture, designed to retain the memory of a broken unforgettable history. Patterns on the chinese bronzeare the convex-shaped papillae nails arranged in single or square. In order to enrich the city's history and culture, build a diverse and harmonious city of spiritual and cultural system. Selection of bronze sculpture theme of anti-fascist war, it is necessary to choose the performance of the themes of heroism, such as the Chongqing People's War will and support on the war; but also the performance side of the war disastrous the Bombard tragedy, from another a grid point of view to expose the anti-human nature of war and record a memorable history.
Adhere to the flexible use of form and style of language with the performance of the content of the anti-fascist war bronze sculpture theme constantly enrich and extend the form and style are increasingly demanding that diversity, and to adapt to the continuous improvement of the aesthetic needs of bronze sculpture.

This design alone on the chinese bronzeis called moiré

This design alone on the chinese bronzeis called moiré, means clouds. The subject matter content shown on the bronze sculpture language multi-angle of the excavation during the anti-fascist war, bronze sculpture creation for propaganda and agitation of the people against fascist aggression for the purpose, the creation of subject matter in order to establish a Typical image of encouraging the fighting morale of the people and expose the evil of anti-fascist molecules mainly subject matter after the war to the fifties late because the people have not come out from the shadow of war, anti-fascist war theme bronze sculpture is a monument to commemorate the sculptures or rack the creation of bronze sculpture catastrophic theme of war at this stage, the emergence of more major historical events to commemorate the heroes and the performance of the performance theme. Yunlei Wen is constantly used as the ground-tint on thechinese bronze.
This stage created a large number of small bronze sculpture, the artistic language of the anti-fascist war theme to provide a large number of opportunity to test, ready for later anti-fascist war of the sixties and seventies theme creation for the first time a climax. anti-fascist war of the sixties and seventies theme bronze sculpture creation is mainly reflected in the large-scale monument to create a creative choice of theme to commemorate significant historical facts and the show of national power during the anti-fascist war, there had been a major event in place to establish a monument and its complex. There are also independent yun lei presented in the neck or feet of the chinese bronze. create a boom of the 1980s, the mid-1990s, a large monument of bronze sculpture slightly loss, in the gestation period.
 But this time anti-fascist war theme of the bronze sculpture is a monument to commemorate sculptures or rack bronze sculpture of creative themes in the diversified range of subject matter also continues to expand at this time The world economy is facing great development of peaceful development to become the theme of the times. anti-fascist war has gradually away from us, at this time to produce more in to cover the history of regret, and advocated the idea of peace theme of the mid-1990 to 2005 the sixtieth anniversary of the World Anti-Fascist War, the advent of an anti-fascist war bronze eagle theme creative peak with creative climax for the first time in the sixties and seventies, the theme of this stage of the war against fascism more deepened and extended Monument to a large number of bronze sculpture in the construction or expansion. The moral of this pattern on the chinese bronze is to wish a promotion and everything answered.
"Xue Sony Chongqing cultural spirit of" ∽ 'Discovery 2002 02 13l page 37 Chongqing husband Master Degree Thesis in bronze for the provisional capital of the War against Japanese culture conditions Sculpture language to explore the thinking and creativity among the hot spots are not limited to the monument of bronze sculpture. In commemoration of the sculptures and easel bronze sculpture full development, there has been a large number of excellent works. The themes of these works show a wide range of pattern. Ruding wen is one of the simplest decorations on thechinese bronze. Not only to advocate the idea of peace theme, again a reflection on history and disaster Theme. Mining the characteristics of the city's anti-fascist war historical and cultural resources to construct the city's spiritual civilization has become a major trend in the development of the world's belligerent and war city. These works include a portrait of the Han Dynasty stone, brick, stone arch , figurines and other linguistic characteristics of these works of art of Southern Art lexical characteristics and features of Aboriginal culture in Chongqing, a deep level which reflects the local culture of Chongqing. the artistic language of the anti-fascist war bronze sculpture theme in home and abroad bronze sculpture artistic language also learn from Chongqing geographical features bronze sculpture modeling styles and methods adhere to the continuous development of the diversity of anti-fascist war bronze sculpture theme mining theme works with the anti-fascist war bronze sculpture creation, theme constantly enrich and develop the Chongqing in the process of mining on the war provisional capital of culture to draw on the results achieved in the domestic and international artistic language development process, adhere to an open attitude.

Tuesday, June 5, 2012

Bronze sculpture the shape of the most essential features

G Block, apricot played the bombing of the art group Large tunnel tragedy. Works this debate soft mask - device Yi Zhi Shu Lei Yin-resistant 81 8 2 M36 acridine bare 6m8 the roundworm c0 female 41 Ping 'Ju piece Source: the author provides the grapes for chu by an article Qiang carved for the creative theme, with sculpture in the round, high relief, bas-relief lines engraved on a combination of techniques, performance Bombard during tunnel tragedy process. Works using the creative approach of realism, realistic way to depict a different age, gender, and expressions of the scene inside the refuge, suffering people. The usage of it as a decoration on the bronze statue was first seen in Erligang period of Shang Dynasty.
The whole piece plot is divided into four parts: Chongqing University Academy of Anti-Fascist War theme Memorial statues and the language of art air raid sirens, life and death tunnel, life and death tunnel, the door of life and death of four parts. commemorate the sculptures types and language performance characteristics  sculpture in the round of the performance characteristics of sculpture in the round, also known as three-dimensional carving, the overall performance of the art in bronze sculpture, the viewer can see each side of the object from different angles. Then different types of dragon wen showed up on the bronze sculpture had all appeared in late Shang Dynasty, Western Zhou Dynasty.  It carved front, rear, left, right, on, under a full range of engraving. The sculpture in the round works very three-dimensional sense of vivid, lifelike. Sculpture in the round's greatest feature is the three-dimensional sense, there is no space compression.
Be able to fully demonstrate the bronze sculpture of a sense of space to achieve a realistic effect. This feature is different from other kinds of art, with a unique bronze sculpture. Bronze sculpture the shape of the most essential features. As monumental sculptures of sculpture in the round, we must first work to establish a form of composition space. In the composition form of space to arrange the dynamics and shape of individual characters or props. There are also dragon patterns on the bronze sculpture of Spring and Autumn period to the Warring States. Pay attention to each character or prop each other well, and density relationship. This will make sculptures works to strengthen the overall sense, the increase in the expression of the statues and works. Sculpture in the round the way to do sculptures, although in the strong sense of three-dimensional space performance, but indeed in the expression of large scenes, environmental factors such as not Yuandiao expertise.Is the collective creation of a plane, Figure 3.3, Beijing, the central customs hospital: Chinese People's Anti-Japanese clamor Pan hi! Usurped the throne. . The image of dragon on the bronze sculpture  originated from long time ago. Brick the rainbow burnt 0lial. . . E-0fch Xiu. goods against Japen. Multi-body environment layout, 38 cylindrical bronze sculpture is divided into the different performance of content and Photo Source: The author of Self-plot: "the suffering of the years," rise to national salvation "," the War "," iron wall "of four major . In each part and each statue cylindrical bronze sculpture, not to specific historical events and historical figures for the performance of the object, but based on historical information and art literature summarized refining combinations, the shape of wealth was the spirit of the times artistic image.
 "Bombard Memorial sculptures" (Figure 3.4) in the completion of the China Three Gorges Museum in the sixtieth anniversary of the victory over fascism, the monumental sculptures. Work performance during the War of Resistance Against Japan, the Japanese Chongqing real louse 3.4 China, Chongqing, Guo Chang Shi, selected bombing, resulting in Chongqing. .

Long wen (dragon) is one of the decorative patterns on the bronze dragon

 
Like so attached to the Memorial complex to commemorate the sculptures in the world of anti-fascist war. Ink? Iwo Jima Memorial group Fig. of The of the Iwo Jima Memorial statues and works to establish the United States on Washington Square, the main performance in a hail of bullets, six U.S. soldiers will plug in the American flag by the Iwo Jima, the highest points. It is the most iconic moment in the American World War II history. This bronze statue of up to 78 English community Source: Zhejiang Online feet.
 This bronze sculptures using the techniques of realism, lifelike bronze sculpture of six image of the heroic soldiers. Stalingrad war memorial on both sides of the relief the ruins of the wall (Figure 3.2) works when the remnants of two hill as an entity, in the design of the ruins left for the war on the plane. Generally the dragon on the bronze statue is shown with a front-view picture.Abdomen with "Dahe" word inscription.  Works using a combination of high relief, bas-relief and line engraved works layering. Coupled with the incomplete and texture of the use of this piece of art was more moving.  The Chinese people's War of Resistance Against Japan Memorial sculptures (Figure 3.3) commemorate the fiftieth anniversary of the victory of the War of Resistance Against Japan 21 Meng Lei fog Lian Lu compile clamor Mexico Yin war memorial.
The ruins wall. Mongolian ginger soup tangled beams lamb, the sculptures on the occasion of the artistic language of the device of the book 'Russia Tianjin People's Fine Arts Publishing House, Chongqing University Academy of Anti-Fascist War theme to commemorate the completion of a monumental group in Beijing Marco Polo Bridge, the starting point of China's War of Resistance Against Japan carving. If it is patterned with its side-view, then the image on the bronze sculpture  becomes a long body with a claw. This work seeks to show the overall situation of Chinese anti-Japanese fascist aggression, re-emerged in more than half a century before the entire Chinese people, one after another heroic war of resistance, tragic, tragic, strong and passionate scenes of history. Works to 38 2 meters in diameter and 4.3 m high bronze cylindrical bronze sculpture. Composition using the traditional Chinese form of lineup Forest of Stone Tablets. Over the past few decades, the monument to the artistic style of bronze sculpture theme option is to learn from other arts performance style at the same time according to their own development needs to integrate the use of its successful experience is worthwhile to continue to develop and learn. Chongqing University Academy of Anti-Fascist War theme to commemorate anti-fascist war theme in the main language of art sculptures Memorial statues and artistic language A Historical Survey of the 3.1 anti-fascist war theme Memorial sculptures commemorate the sculptures in the performance of historical moment the plot and the scene has a unique expression. When Kui is patterned with swirls arranged in alternate is known as the fire dragon wen on the bronze sculpture . Memorial statues and become an important means of expression of the performance of the anti-fascist war bronze sculpture theme. Memorial statues and works in the works of such subject matter.
In a large number of commemorative sculptures works, and some independent existence has become an important means for the performance of a certain historical moment. Such as America's "Iwo Jima Memorial sculptures", "Chinese people's War of Resistance Against Japan Memorial sculptures" Chongqing "Bombard Memorial sculptures". Some attached to a monument, memorial an important component part of the Memorial complex. Long wen (dragon) is one of the decorative patterns on the bronze dragon . Relief on both sides of the wall of the Battle of Stalingrad memorial ruins of the wall "has become an important part of the bronze sculpture to commemorate the complex.