Sunday, June 24, 2012

This bronze dragon sculpture makes the Yunlei wen as ground-tint


This to demonstrate the knowledge and understanding of the concept of I I anti-fascist war bronze sculpture theme rack bronze sculptures. Summary shelves bronze sculpture is a small-scale bronze sculpture language form suited to do the bronze sculpture scrutiny of the language of art and experiment. shelves bronze sculpture theme of anti-fascist war has been carving creative concern, walking in the forefront of the artistic language of such themes to explore more digging on the theme of anti-fascist war bronze sculpture widely and so should continue to play the shelves bronze sculpture in the language of art to explore flexible features, on the basis of the original language of art, to continue this theme of mining, to play a greater cultural value. Cicada patterns became popular among the  bronze sculpture in Shang and Western Zhou dynasties. Anti-fascist war themes, on bronze sculpture art language study should continue to explore the direction of the conceptual and academic development of the latest trends and achievements show that the concept is a bronze carving creative concepts suited to the modern aesthetic.
 If the artistic language of practical subject matter of the anti-fascist war mining at the end of the creation of conceptual work are endless. This allows for better development of the cultural value of the anti-fascist war bronze sculpture theme. Journal of Chongqing University for the provisional capital of the War against Japanese culture conditions Bronze Sculpture language to explore the thinking Probe of the bronze sculpture artistic language of the provisional capital of the War against Japanese culture under the conditions of Chongqing status and role in the anti-fascist war in Chongqing, the wartime capital of China during the War of Resistance against Japan, the Southern Bureau of the CPC Central Committee and the KMT-CPC second cooperation between the location of the War of Resistance Against Japanese Aggression and the World Anti-Fascist War a great contribution and heroic sacrifice. It was mainly decorated on the spout of a bronze sculpture .The historical events of the impressions and ideas to enhance the concept of the work, the whole composition with irregular arrangement of a fascist soldier, the soldier's upper body turn to produce a variety of changes, in line with bronze sculpture of three-dimensional modeling and the beauty of multi-angle viewing, but also showed the tragic story of the fascists were defeated. the same time, the composition is also low after the high of the ladder-type composition. There is also one long lineal cicada with feet on the  bronze sculpture .  Front of the soldiers Fu Xiashen son to hand over their weapons, his legs almost to kneel, the next few fascist soldiers also showed a dynamic expression of the different forms of surrender for mercy. In addition to the careful arrangement of the overall composition, the works also Figure 4.10 China, Chongqing, Zeng Hua (author) 1945, Spring . Fig.4.10 1945.spring.
Source: Journal of Chongqing University of the author four anti-fascist war theme rack Bronze Sculpture language analysis using exaggerated widening change the character of the fascist soldiers in the works short, showing the impression of the author himself fascist soldiers in the performance of conceptual works also use a wonderful description of details the work of the people legs open eight-shaped, showing the concept of the author himself, and for Japan and France impressions and personal understanding of the reactionary fascists, people feel in the humor for the performance of the defeat of the fascist works blinded eyes, blown-off legs and other details. This  bronze dragon sculpture makes the Yunlei wen as ground-tint.

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